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Biography

Fitxa PERSONAL:   Esther Milena González (Barcelona, is in Fine Arts license on per la Universitat de Barcelona (UB)   .

Exhibitions carried out

  • 2014, ENTRE EL CIELO Y LA TIERRA
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5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Painting
5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Painting
5.91 x 5.91 in
Drawing
5.91 x 5.91 in
Drawing
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Fitxa PERSONAL:   Esther Milena González (Barcelona, is in Fine Arts license on per la Universitat de Barcelona (UB)   .   Especialitzat S'ha painting, amb la qual discipline is sat Comodo i per tant més amb millor expressing them Sensacions   i idees that Transmetro vol. Gothic "> Treball amb majoritariament pintures li acríliques that provide a great ventall of textures i Jocs de llum. The bill, i amb molt a orquestras matter" is really the utilització espontània conscient dels materials i la d'aquests amb joined them that vol Sensacions Transmetro.   Podriem dir molt is an artist terrestrial environment agafa l'l'wrappers, as natural com urbà, i plasma on the web com a part of the seva personalitat.   Trobem aixi a philosophy Entorn acord amb l'Esther i la d'personalitat Milena.   Per Aquest no és d'extranyar Motiu que l'hagi artist escollit com a seu treball dels fear of "The cami. The terme avec camí staff recerca de l'avec Esser is amb communicates the environment, the qual seu is transformed to measure the qui l'avançant deals going. I Projecció is that the paint on the canvas ens fa moltes vegades think of Paisatges seen in imatges des de l'air. The desert is going convertint nature in civilització i per tant show one's nature de l'home in the construction.   Harmony of colors, textures that i llums Origens i ens als transported to the bed to ens vegada own history nostra socials avec ia animals on non-heme Paratge estat faces.  

Liliana Marin (Commissioner de l'Exposició "El Camí").

CURRICULUM ARTISTIC

-2008: Solo exhibition of paintings The cami (exhibition itself, consists of 18 paintings). Organized and funded by Culture in vivo, B5-125 Space Art of the Autonomous University of Barcelona (UAB). More Marinda curated by Liliana

-2008: Solo exhibition of painting permanent Life Aesthetic Center DECORPOS (Badalona)

-2008: Solo exhibition of paintings The camí CARMAR Medical Center,

-2008: Solo exhibition of painting life in Gallery-café LLETRAFERIT (Barcelona) .

-2009: Solo exhibition of painting a map for life and Ramis Matas Cultural Centre (Barcelona, Horta Guinardó)

-2009: Solo exhibition of paintings (1 º Retrospective) Tours Cultural Center Caramel (Barcelona, Horta Guinardó).

Exhibition included in the program of activities DONA DAY 2009 organized by the Town Council of Barcelona, Horta-Guinardó district.

-2009: Solo exhibition of painting ideas unraveling Cultural Center Sant Josep (Hospitalet)

-2010: Next Solo exhibition of paintings Groga House Cultural Center (Barcelona)

Gothic "> SERIES: THE ROAD

"The road of life, the traces we leave to walk, live, to dream ... Life is a journey full of different and varied paths, we make the road while the road makes us, marking every experience, every step we take in our walk. "

(Esther Milena)

SERIES: LIFE

Here I leave a trail of thoughts that accompanied me in the inexplicable and indefinable process of trying to express the concept of the way as life, and experience that fuses individual and through which, recognizing colors, lights and shadows, all we can glimpse our own history.

"We go through life without feeling like we bite the silence, such as cross eyes, making sure every word is exhausted, running from the wounds we transform ..."

"Sometimes we can control our steps, and no other path is the weight which sets the direction, the fall and the depth of what we do."

"We are a brand over time, a trace, a trace of ourselves.

We build and yet we do what we think we remember that we are but our actions.

The road, which leads us away without knowing it and the simple comfort of wanting to believe that we know what we do. "


"It may seem that life leads us to one side,
but that side does not exist ...
because no way no way determined
no place in the bottom of oneself
that may be located or defined. "

"Traveling light and shadow
I am leaving traces
impregnated breath and loneliness.
Unanswered questions,
No answer on the road
but questions found.
I cross the forest of fear
surfing the seas of chance.
Breathe deep and blind
I see stars when passing ... "

To A, back to the beginning. Pull out IDEAS

"Under the action of the flagellum forms desintegran.El social order collapses" (A. Artaud (The Theatre and Its Double)

The moment we live is determined by the flux, the excess investment model that we know, the elusive transformation, simultaneity and multiplicity that are creating an ever more globalized and increasingly dependent on the needs that we ourselves have invented.

The concern to understand what we are and what surrounds us leads us to seek explanations endless, as are countless ways to explain ...

If we were to find a key, indispensable principles trigger creations, that would be SYSTEM.

Both systems at the cellular level, social, political, are those that generate an array of behavior and when this behavior is modified, altered and changed, is when the systems are transformed by creating a new pattern.

Our systems have failed and new ones are coming ... perhaps in this moment of change is when we have to ask what that really works and what does not, leaving behind what does not interest us.

When inertia leads to the easiest option, that of adding more, maybe we should start thinking about another alternative of get rid of everything that no longer makes sense to subtract instead of add.

The lines that shape the landscapes will be known as blurring, shedding brands, erasing the absolute truths and discourses unchanged.

It's time to transform the systems, ask questions, to tear down to rebuild, to open the door to new perspectives.

For this reason, trying to escape the sharp and strong frame, the painting is becoming ever more vaporous and yet more active, less accurate and emphatic, as if the movement of water and the land they were in constant flux and powerful untangling the knots that keep us moving ... unraveling ideas, as if it were fabric, to weave again, this time more transparent ...

Milena Esther

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